Floyd Street Theater showcases 2021 Halloween lineup Thursday, Oct 21 2021 

By Tate Luckey

The Floyd Street Theater has announced its lineup for Halloween-themed movies for the month. There are two screenings of each movie, one at 5:00 PM and one at 7:30 PM.

  • Psycho (1960) – October 27th and 28th
  • Candyman (1992) – November 2nd
  • Candyman (2021) – November 3rd and 4th

File Photos // The Floyd Theater //

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U of L students take in St. James Court Art Show Thursday, Oct 7 2021 

By Daniel Rankin —

The start of October saw the return of one of Louisville’s longest, and most cherished, tradition: the 65th Annual St. James Court Art Show.

Over fall break, local residents and students were able to spend their weekend admiring arts and crafts created by over 650 artists.

Located in Old Louisville, many were able to enjoy the show’s atmosphere and environment as a start to the autumn season.

“The setting is great,” said sophomore Ryan Raccioppio, “I love Old Louisville and having people down here.”

He also stated that an evening out during fall midterms is always appreciated. “I was excited to go after class and grab a couple of buddies to check it out,” he said.”It’s super fun, and I like all the local artists.”

Along with Raccioppio, fellow sophomore Aditi Kanotra agreed that seeing the art show was a nice break from college life.

“I was looking forward to it this week and am really happy I came,” Kanotra said. “It’s definitely an experience and [there’s] always something new to see.”

While observing the victorian 4-square block, you could tell it wasn’t just the magnificent art that put everyone in such a pleasant mood. It was also being able to walk around, see your fellow classmates, and interact with your friends and family.

“I’ve really liked seeing everyone again,” said sophomore political science major Mercy Muluberehan. “Just getting out and feeling like normal. [It’s] exactly the right way to spend a Friday night.”

While the St. James Court Art Show concluded its successful weekend over fall break, students can still see more beautiful artwork at The Speed Art Museum: Kentucky’s oldest, and largest, art museum located on campus. Admission is free for U of L students.

Photo Courtesy of Daniel Rankin // The Louisville Cardinal

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Celtic Pig foodtruck expands with campus restaurant Thursday, Sep 23 2021 

By Tate Luckey

Last semester, in an effort to break up the dwindling lack of dining options on campus (partly brought on by last year’s lack of campus residence), U of L Dining had a week where food trucks from local Louisville and Southern Indiana restaurants came to campus in what was dubbed as “Food Truck Fest.” Now, one of those has a permanent home here on campus: The Celtic Piglet.

Located behind the Speed School of Engineering and right inside the Duthie Center, the Celtic Piglet carries on the BBQ and English hybrid theme of the food truck. As such, their menu features a mix of both smoked meat-based and “Celtic” in origin foods. A meal swipe includes any entree under 8 dollars, a side of either a bag of chips or fruit and a drink. They’re open 7:30 a.m. to 3:30 p.m. Monday-Friday.

The Sausage egg and cheese biscuit

The Food

I decided to try one meal for breakfast, and one meal for their lunch. So at 10:45 on a Wednesday morning, I hiked down to indulge in a sausage, egg and cheese biscuit, since they were out of Scotch Eggs. And the results: not bad. It was admittedly small, but it was hot and a nice meal to get you through your first class or 2. The biscuit was pretty tender. But for a meal swipe (or 6 bucks a la carte), and breakfast, there are better options on campus.

A (messy) cross-section of the “Pulled Pork Panini”.

Lunchtime rolled around and I again went back to try their sandwiches. I played it safe in getting a pulled pork panini, but this was a much more worthwhile option: tender smoky pork and Monterey jack/cheddar cheese on a pillowy sesame seed bun. I even got a brownie too, just to try it and out and it was great: nice and chocolatey, chewy, and had a layer of tacky caramel and walnuts on top. It was nice, but the issue is that again, it’s one of the only entrees you can get for under 8 dollars.

The Issues

I’m not alone in this opinion- Colter Koch, a sophomore engineering student, likes the convenience of the restaurant, but is unsure about the reasonability of such prices. “Oftentimes I will grab the breakfast burrito or sausage and egg biscuit in between my morning classes. I enjoy the food a lot, but the prices in comparison to other breakfast options on campus are honestly unreasonable. Paying double for a breakfast sandwich just because it is a bit closer makes choosing the Celtic Piglet tough. I think the popularity of this spot would greatly increase if they priced their food options closer to those of other campus options,” he said. 

For comparison – I’m a student in the School of Business, so it’s about a 15-minute walk to get to the place from where I take most of my classes at. Not exactly out of the way, but considering the Ville Grille or Subway is closer, and it’s about the same amount of time to get there as it is to the SAC, it can make the average student consider the value of their meal swipes.

Final Verdict

Overall, would I eat at the Celtic Piglet again? Sure, if it was closer. It breaks up the monotony of fast food here on campus and is a good option for those looking for smaller, home-cooked-style meals, but with it being smack in the middle of where engineering students primarily are it can be out of the way for a lot of students.

File Photos // The Louisville Cardinal

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Feature Editor reviews Drake’s “Certified Lover Boy” Thursday, Sep 16 2021 

By Tate Luckey

Among the various pop and hip-hop albums released throughout the year, the album-of-the-year conversation arguably boils down to a few artists: maybe it’s Tyler The Creator’s Call Me If You Get Lost, or Olivia Rodrigo’s Sour; perhaps J-Cole’s The Off-Season? Kanye recently dropped Donda, which I did a review of here. And now Drake enters the fray, with his album “Certified Lover Boy’ coming out just a week after Donda. Is the 6God back? Was the Champaign Papi right in his hype over the album, going all the way back to 2019?

Short answer: No. Longer answer: Kinda? But he dropped the ball.

The Artwork

I would be remiss not to first address the album art. Designed by Damien Hirst, on a blank background features 12 pregnant women emojis in various clothes and skin tones. Contrast this with Scorpion, a clean, almost vintage-looking black and white photo of Drake looking serious, or even Views, in which he is (photoshopped) atop Toronto’s CN Tower. It’s an extremely jarring, almost immature contrast to what listeners are used to. 

The Songs

Drake and Kawhi Leonard Reunite in the Video for "Way 2 Sexy"

Drake and Kawhi Leonard Reunite in the “Way 2 Sexy” Video

Yet somehow that is about the most exciting thing on the album. The songs aren’t necessarily bad. They’re just, not notable. Listening to the near 90-minute album I could name two, maybe three songs total that stand out, the first one being his lead single “Way 2 Sexy” featuring Future and Young Thug. That song is classic Drake. It’s catchy. Future and Thug’s verses are great, and it’s now being taken over by TikTok as a “sexy boys anthem.”

“Champaign Poetry” is actually a nice intro song, sampling Masego’s “Navajo” (which in turn, samples a cover of the Beatles classic “Michelle”), with Drake discussing his conflicts of fame and his true self in a very “stream-of-consciousness” type of flow. 

But beyond that, the other 80 minutes are just kinda….there. 

Girls Want Girls? Just kind of weird. “Yeah, say that you a lesbian, girl, me too” he playfully sings. What does that even mean? Heck, what does the title even mean? Most of the lyricism is just discussing Drake’s lack of loving, about the heartbreak and hardships he’s encountered.  The number and notoriety of the artists featured here can’t make up for the same rehashed subjects. It’s like Drake has fallen into a formula, and here we see an album emblematic of the question “where will he go from here?” but for the wrong reason. 

It’s just not exciting. 

The Bottom Line

Again, the album is not bad. It’s very well produced, and for casual Drake listeners, there’s stuff to enjoy. But you can’t help to think that given the musical deluge this past year, there should have been more. 

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Features Editor highlights Kanye West’s “Donda” Friday, Sep 10 2021 

By Tate Luckey

After months of delays, 3 listening parties, and a bunch of controversies, Donda, Kanye West’s 10th album, is finally out for the masses to listen to. His last album, Jesus Is King (2019) combines Christian overtones and gospel elements with his repudiation from sin. Donda expands upon this, interlacing the previous point with Ye’s family and childhood. It’s an expansive album (27 whole songs, just shy of 2 hours), with an equally expansive catalog of features (by comparison, Jesus is King clocks in at 27 minutes, and The Life Of Pablo goes on for just over an hour). Because there is so much here to unpack, here are a few songs that really stand out. 

Hurricane 

Featuring vocals from “The Weeknd” and a verse from “Lil Baby”, this song actually popped up in 2018 as a demo West posted on his Instagram and Twitter. Now as a fully finished song in 2021, this is definitely one of the standouts of the album. Kanye has a real knack for realizing what sounds fit and which don’t; The Weeknd’s harmony with his Sunday Service Choir on the first and last “Don’t let me down” is powerful. This song’s transformation from an arguably lofi sound to more grandiose is perhaps emblematic of Kanye’s musical transformation, too. 

Jail

Set up after “Donda Chant” and featuring a verse from Jay Z, Jail is my personal favorite song from the album. The chorus is infectious, and the minimalist guitar instrumental perfectly complements the restrained anger Ye and Jay-Z’s lyrics have towards the prison systems and their own personal heartbreaks. It’s the perfect song to display their lyrical chemistry. 

Moon 

Kanye’s ability to create both energetic and somber songs is on full ability display while listening to “Moon”. The lush, reverb-soaked vocals perfectly complement “Moon”‘s idea of ascension (which, knowing Kanye is likely spiritual). One can even make the argument that Kanye’s calling out to his mom, given the lines “don’t leave me so soon” and asking out “how can I get through” to reach out. 

Believe What I Say

Previewed during the 3rd listening party West had for DONDA, “Believe What I Say” is another standout. The grooving bassline, along with West’s laid-back vocals give off a Graduation vibe. Even Lauryn Hill is featured at the beginning! It’s a song that I think is underrated on the album, and fans of older Kanye may enjoy it more. 

Now, it’s tough to quantify a body of work from an artist, whether a film or painting or album, as a letter grade or star review system. I feel that that’s disingenuous to the idea of a review. So I’m choosing to grade this based on a simple question: would I listen to Donda again? Sure. Admittedly, a few of the songs go on too long (looking at you, Jesus Lord), but I encourage anyone reading to block out time to take a listen. It’s almost as if this album is meant to be heard at a live event rather than in your own home. Concept albums are nothing necessarily new, but Kanye does it again producing a moving, introspective experience.

File Graphic // Kanye West Twitter //

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U of L attempting a semblance of normalcy for fall 2021 semester Wednesday, Sep 1 2021 

By Grace Welsh —

For University of Louisville students and staff alike, this fall semester may give some a little deja vu.

With COVID-19 cases steadily climbing to the level they were during the winter of 2020, U of L has reinstated a mask mandate for all students and staff in indoor settings. Jefferson County has seen over 3,000 new cases during the week of August 22 alone, and the number continues to grow due to the high transmissibility of the Delta variant.

Louisville students have wondered what this means for their upcoming semester, especially now that most classes, clubs, and events are meeting in person for the first time since spring of 2020. John Karman, U of L’s Executive Director of Communications at the Office of Communications and Marketing said, “We’ve welcomed our students back to campus, and clubs and events have returned with them.”

“Our intention is a full, on-campus semester, but we will continue to follow CDC and state health department guidelines. We have proven that we can pivot to other means of instruction if necessary,” he said, in reference to both virtual and distance education. In May, Vince Tyra, Vice President/Director for Intercollegiate Athletics, announced that Cardinal Stadium will be at full capacity for the 2021 football season. In addition, the university revealed in June that all home games for the men’s and women’s basketball team will also be at 100% capacity.

There is currently no mandate for students and staff to get vaccinated against COVID-19, however the university has been urging its members to do so. “U of L students, faculty and staff are strongly encouraged to get [it]. It is safe and effective and our best defense against the pandemic,” Karman said. As of August 30th, 66.2% of students and 70% of staff are vaccinated; if both populations can reach 80% vaccinated, the campus-wide mask mandate will be lifted.

Louisville’s starting Quarterback Malik Cunningham.

In an effort to encourage individuals to get the vaccine, U of L has begun a social media campaign featuring prominent student-athletes and the slogan “I Got the Shot. Join the Team.

Professors have also included vaccine and mask information on their syllabi, and U of L’s official website highlights their coronavirus protocol page that features information on vaccines, testing, travel guidelines, statistical data and FAQs.

For more information on UofL’s response to the COVID-19 pandemic, please visit: https://louisville.edu/coronavirus/health-protocols

Graphics // U of L FSL Twitter //

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Viral sensation Rico Nasty to perform at SAB’s Spring Concert Thursday, Apr 1 2021 

By Grace Welsh

Tonight at 7:00 p.m., the University of Louisville’s Student Activities Board will host their annual spring concert, featuring rapper Rico Nasty. The forty-minute performance, done virtually through Microsoft Teams, will be free for U of L students who sign up through SAB’s Engage portal. After the show, Rico will be doing a 20 minute Q&A session, with questions provided by SAB.

Yasmean Fogle, SAB’s concert chair, is excited to bring a strong female artist to campus.

“We haven’t had one in a long time, and I felt like this was somebody that everyone could enjoy. Sometimes it can be hard to target a specific audience,” Fogle said. “But we think everyone can love her performance.”

After not being able to host 6LACK as planned last year due to the COVID-19 pandemic, Fogle is excited that students will be able to experience the show in their own way and engage in the performance as if it were real.

With tracks like “Smack a B****,” “OHFR” and “Jealous,” Rico has shown that she is an artist who is both exciting and relatable. Social media platforms like Tiktok, have aided Rico in becoming a viral sensation.

In choosing the artist for their spring concert, SAB’s executive board combed through a list of 25 potential artists provided by a well-known production company. Fogle and her team decided on Rico Nasty for based on her talent, well-rounded nature and ability to entertain.

“I think she’ll have a great show because she is super energetic and does whatever she wants, which is a great look,” Fogle said.

Graphic Courtesy of the Student Activities Board 

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”Fashioning Art from Paper”: A peek at Isabelle de Borchgrave’s Speed Art Museum exhibit Wednesday, Mar 17 2021 

By Grace Welsh

From now until Aug. 22, the Speed Art Museum will host the world-renowned work of Isabelle de Borchgrave. The Belgian artist’s work consists of life-size paper costumes representing five centuries of fashion history. The exhibit, like all exhibits at the Speed Art Museum, is free to all current University of Louisville students.

Born in Belgium in 1946, Borchgrave seemed to come into the world with a passion for art. She famously said once that, “The same day that I could walk for the first time, I picked up a piece of paper, started to draw, and I have not been able to quit since then.”

She was classically trained at Académie Royale des Beaux-Arts in Brussels and opened her own studio by the time she was 18.

Borchgrave filled her life with pretty and inspirational things. Opening a store in 1975, called La Tour de Bebelle, she sold dresses, paintings and home décor.

Over the years, she took a liking to the craft of paper maché and was struck by inspiration after visiting the Metropolitan Museum of Art’s Costume Institute in 1994. Combining her wisdom and expertise with that of Rita Brown, Borchgrave assembled her first series, “Papiers à la Mode,” which caught the eye of curators of prestigious institutions around the world.

Borchgrave’s superpower is more than just fashioning the outfits themselves. The artist utilizes an elusive trick of the eye called “trompe l’oeil,” which tricks the museum-goer into thinking they are looking at real fabrics, carefully assembled into extravagant outfits by the artist, but they are really an intricate take on paper maché.

The exhibit, titled, “Fashioning Art From Paper,” is divided into five major collections.

 

“Papiers à la Mode”

This is the largest and earliest showcase of centuries of fashion across cultures. From royal English and French gowns to traditional Victorian wear to chic streetwear, the exhibit takes the viewer from the Renaissance to the early 1900s with the magic of color, patterns, texture and beauty.

“Splendor of the Medici” and “The World of Mariano Fortuny”

Immersing visitors into the streets of Italy, this piece tells the story of the Italian Renaissance with inspiration from portraits of the Medici family and artist Mariano Fortuny. Borchgrave’s pieces reveal her unique interpretation of their art and colors and guide the viewer to experience the atmosphere of her work in the way she intended.

“Les Ballets Russes”

This most recent addition to the exhibit showcases costumes, outfits and drawings of twentieth-century Russian dancers that Borchgrave feels revolutionized modern art upon their entrance into the 1908 Paris art scene. Borchgrave breathes life into their stories and through her careful use of color and texture, allows them to live again and be seen by twenty-first century observers.

“Kaftans”

Inspired by her trip to Istanbul, this section of her exhibit showcases an appreciation for central Asian textiles.

Having a life-long fascination with the Silk Road, an ancient transcontinental trade route that connected Eastern Asia to Europe, Borchgrave worked in collaboration with artist Saeed Sadraee to highlight this ethnically and culturally diverse region that was a center for artisanal textile production. The textiles she selected, or “Kaftans,” illustrate the relationship between the nomadic people of Central Asia’s natural and cultural world.

 

The Speed Art Museum is free for U of L students and faculty and will be showcasing this impressive exhibit until August 22, 2021. For information on how you can reserve tickets, click here.

Photos by Anthony Riley // The Louisville Cardinal

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Speed Art Museum features new exhibits for Spring 2021 Thursday, Feb 4 2021 

By Maria Dinh —

The Speed Art Museum is now open during its regular hours. Visitors must wear a face mask and practice social distancing. As always, University of Louisville students can go in for free by showing their cardinal card. Here’s what’s coming up at the Speed in these next couple of months:

Featured Exhibits

The Speed Art Museum said goodbye to the Andy Warhol: Revelation exhibit last November to make way for their next featured exhibit: Collecting – A Love Story: Glass from the Adele and Leonard Leight Collection. Coming February 6th, 2021, Leight’s art collection will contain many contemporary glasswork pieces that the couple had collected during their marriage.

From February 19 – August 22, a fashion exhibit inspired by early works of 18th and 19th-century art will be coming to the Speed, titled “Isabelle de Borchgrave: Fashioning Art from Paper.” Look closely to observe the intricacies and details of the painted paper dresses.

“I am really enthralled by the artist’s use of color, so I’ve found myself drawn to the Mariano Fortuny dresses she has recreated – there are beautiful, unusual color combinations that are so inspiring,” Erika Holquist-Wall, curator of European & American Painting & Sculpture, said about the exhibit.

“I think visitors are going to leave this exhibition inspired by possibility – whether that is the inspiration to create their own artwork, play with paper, or just take a closer look at the artwork in the rest of the museum and appreciate the effort and creativity it requires to make something.”

Speed Online

Visitors can still have a quick “scroll” around the Speed from home with Museum from Home on their website for free. For the inner child that misses going downstairs at the Speed to play at the Art Sparks room, the website has downloadable .pdfs of coloring pages, crafts, and games to play at home.

Freshman Eleanor Ferguson has already visited the museum in person. She talked about how visitors are socially distant from others when viewing the art; “I’d say the majority of it [the museum] was safe, but there were a couple of rooms with too many people for me to be comfortable in, so I dragged my date out till they left. Everyone wore masks though.”

After Hours at the Speed

In a COVID-19 free world, the Speed would host a monthly event on the third Friday with performers, food and drinks and family fun. After Hours at the Speed will continue being held virtually every third Friday of the month until further notice. Check out their Facebook page to see who will perform and watch on their Facebook Live.

Photo Courtesy // Speed Art Museum 

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U of L student podcast discusses race and LGBTQ+ issues on campus Friday, Oct 23 2020 

By Tate Luckey —

The University of Louisville was recently recognized as both a top university for diversity and among the best of the best for LGBTQ+ friendly universities. In an effort to explore this topic as well as create more ease-of-access, COVID-friendly programming, the Student Activities Board is producing a new podcast called U of L: UNCENSORED

In U of L: UNCENSORED, hosts Leah Hazelwood and Lilah Kahloon (Diversity chair and vice-chair for the SAB, respectively) spotlight their fellow students and foster an open dialogue about diversity and social inclusion at the University.

“We have chosen our topics based on what is happening in and around campus,” the pair said. “Our goal is to have conversations about relevant and pressing topics.”

A description of the guests on the first UNCENSORED podcast.

Case and point, for their first episode, Hazelwood and Kahloon interview Eli Cooper, a junior poli-sci major and director of the Community Peace Board, and Madison Fogle, a sophomore history major and co-director of the Community Peace Board.

Students and alumni are encouraged to tune in, as this podcast shines a light on the experiences of fellow Cards that aren’t easily known.

“It’s easy to not know about certain issues on campus if they don’t directly impact you,” Kahloon explained. “To us, it’s a great way to have conversations with multiple people, about many different subjects.”

While SAB’s diversity committee plans to continue the podcast into the spring semester, they also hope to create a bigger event for students to send in short videos introducing themselves and sharing their diversity experiences at U of L.

You can click here to watch the most recent episode of the podcast.

Photos Courtesy of Student Activities Board

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